{"id":5426,"date":"2021-09-30T10:41:53","date_gmt":"2021-09-30T08:41:53","guid":{"rendered":"https:\/\/milanodrawingweek.com\/mdw\/reliant\/castiglioni-2\/"},"modified":"2025-05-23T17:41:15","modified_gmt":"2025-05-23T15:41:15","slug":"castiglioni-2","status":"publish","type":"post","link":"https:\/\/milanodrawingweek.com\/en\/castiglioni-2\/","title":{"rendered":"Castiglioni"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Via Giuseppe Luosi, 30<br\/>20131 Milan, Italy<\/p>\n\n<p class=\"wp-block-paragraph\"><strong>ARTISTS:&#13;\n<\/strong>Marco Pio Mucci<br\/>Filippo de Pisis (Collezione Ramo)<\/p>\n<div class=\"wp-block-visual-portfolio\">\n<div class=\"vp-portfolio vp-uid-9442608c vp-id-Z2otvR1\"\n\tdata-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"default\" data-vp-items-click-action=\"popup_gallery\" data-vp-items-gap=\"20\" data-vp-items-gap-vertical=\"20\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" 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data-srcset=\"https:\/\/milanodrawingweek.com\/mdw\/wp-content\/uploads\/2022\/09\/05.jpg 1500w, https:\/\/milanodrawingweek.com\/mdw\/wp-content\/uploads\/2022\/09\/05-300x214.jpg 300w, https:\/\/milanodrawingweek.com\/mdw\/wp-content\/uploads\/2022\/09\/05-600x428.jpg 600w, https:\/\/milanodrawingweek.com\/mdw\/wp-content\/uploads\/2022\/09\/05-1024x731.jpg 1024w, https:\/\/milanodrawingweek.com\/mdw\/wp-content\/uploads\/2022\/09\/05-768x548.jpg 768w, https:\/\/milanodrawingweek.com\/mdw\/wp-content\/uploads\/2022\/09\/05-700x500.jpg 700w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<div class=\"vp-portfolio__item-overlay\">\n\t\t\t\t\t<\/div>\n\n\t\t<\/a>\t<\/div>\n<\/div>\n\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\n<div class=\"vp-portfolio__items-arrow vp-portfolio__items-arrow-prev\" tabindex=\"0\" role=\"button\" aria-label=\"Previous Slide\">\n\t\n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path d=\"M12 4L6 10L12 16\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n<\/div>\n<div class=\"vp-portfolio__items-arrow vp-portfolio__items-arrow-next\" tabindex=\"0\" role=\"button\" aria-label=\"Next Slide\">\n\t\n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path d=\"M8 4L14 10L8 16\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/div>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<p class=\"wp-block-paragraph\"><strong>Marco Pio Mucci answers questions from<\/strong><br\/><strong>Irina Zucca Alessandrelli, curator of Collezione Ramo<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\"><strong>What is your relationship with drawing and Italian art history of the last century?<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">My relationship with drawing is visceral. Drawing is the medium that characterizes my artistic practice. I am a draughtsman who brings the graphic sign to identify itself in a real work, bringing the image to be looked at in its finest detail that coexists with the idea of the unfinished and incomplete. My works are made with ballpoint pens that release an amount of ink in relation to the pressure exerted on the paper. Images from the craftsmanship of the luxury world as an icon of materialistic desire become a pretext for idealizing the forms the drawings take.<\/p>\n\n<p class=\"wp-block-paragraph\">Drawing daily is a spiritual attitude toward existence, I constantly think of Morandi&#8217;s still lifes.<br\/>I have explored the world of drawing a lot in recent years, such as the graphic novel through the Sgomento publishing project. Lately I am also focused on stylistic research in tattooing.<\/p>\n\n<p class=\"wp-block-paragraph\">My relationship with the masters of the last century is romantic. I love to study art history, I love in a schizophrenic way all artists. In the morning I have a routine of accompanying a good coffee with a catalog I have in my collection.<br\/><br\/><\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Why did you choose this work by De Pisis?<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">The choice is motivated by the urgency that my production requires at this time. I am giving some attention to the images that are generated through little information, I believe that the incompleteness of the paintings of the chosen artist indulges the will in my work. The chosen work allows me to have some formal comparison, especially on how to construct the composition of individual works. The exhibition display takes into account an enormous respect and thanks to De Pisis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Via Giuseppe Luosi, 3020131 Milan, Italy ARTISTS:&#13; Marco Pio MucciFilippo de Pisis (Collezione Ramo) Marco Pio Mucci answers questions fromIrina Zucca Alessandrelli, curator of Collezione Ramo What is your relationship with drawing and Italian art history of the last century? My relationship with drawing is visceral. Drawing is the medium that characterizes my artistic practice. 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