{"id":5272,"date":"2024-10-11T11:45:58","date_gmt":"2024-10-11T09:45:58","guid":{"rendered":"https:\/\/milanodrawingweek.com\/mdw\/reliant\/milano-drawing-week-2024\/"},"modified":"2025-06-10T12:52:03","modified_gmt":"2025-06-10T10:52:03","slug":"press-milano-drawing-week-2024","status":"publish","type":"post","link":"https:\/\/milanodrawingweek.com\/en\/press-milano-drawing-week-2024\/","title":{"rendered":"Milano Drawing Week 2024"},"content":{"rendered":"\n<div style=\"height:20px;\"><\/div><br\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Milano Drawing Week\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/aW4drpg-0A4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:30px;\"><\/div><br\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Collezione Ramo presents the fourth edition of Milano Drawing Week, a 13-stage journey dedicated to drawing, including contemporary artists and masters of the last century.<\/strong><br><strong>For nine days, works on paper take center stage in a series of exhibitions in museums and galleries throughout Milan&#8217;s urban network.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The&nbsp;<strong>Collezione Ramo, Italian Drawing of the 20th and 21st Centuries&nbsp;<\/strong>, presents, from<strong>&nbsp;Saturday<\/strong>&nbsp;<strong>, November 23<\/strong>&nbsp;to<strong>&nbsp;Sunday, December 1, 2024<\/strong>, the fourth edition of&nbsp;<strong>Milano Drawing Week, an&nbsp;<\/strong>annual event realized in collaboration with and under the patronage of the<strong>Department of Culture of the City of Milan.<\/strong>&nbsp;The project takes shape in a constellation of exhibitions spread throughout the Milanese territory, presenting the work of historicized artists, active on the current scene or emerging, with the aim of enhancing the production on paper and promoting its knowledge among an increasingly wide audience.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The project formula calls for the Collezione Ramo to open up to the city, making available to cultural institutions and galleries a selection of works on paper by 20th-century Italian artists. Artists of different origins and generations, active in the field of drawing, are invited to choose a work from this nucleus coming from the Collezione Ramo, to be placed in dialogue with their own research within one of the&nbsp;<strong>13 spaces<\/strong>&nbsp;involved.<br>The aim is to make the great historical and artistic heritage guarded by the Collection dialogue with the instances that nourish current research, while also offering the public an opportunity to delve into a little-visible medium that unites creatives of all disciplines, capable of speaking with immediacy to the entire public.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The route of Milano Drawing Week 2024 involves&nbsp;<strong>3 civic institutions<\/strong>&nbsp;such as&nbsp;<strong>Castello Sforzesco&nbsp;<\/strong>and, for the first time,the<strong>&nbsp;Cittadella degli Archivi of the City of Milan<\/strong>&nbsp;and&nbsp;<strong>Casa degli Artisti<\/strong>, joined by&nbsp;<strong>10<\/strong>&nbsp;art&nbsp;<strong>galleries<\/strong>&nbsp;from Milan and beyond:<strong>&nbsp;Ciaccia Levi, kaufmann repetto, Loom Gallery, Monica De Cardenas, Nashira Gallery, Settantaventidue, Spazio Lima, Vistamare<\/strong>, with the special participation of&nbsp;<strong>APALAZZOGALLERY<\/strong>&nbsp;from Brescia and&nbsp;<strong>Ex Elettrofonica<\/strong>&nbsp;from Rome,&nbsp;<strong>two galleries that for the first time participate by finding hospitality in the city.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Milano Drawing Week presents the work of artists <strong>Alexandra Barth&nbsp;<\/strong>(Malacky, Slovakia, 1989)<strong>, Monia Ben Hamouda&nbsp;<\/strong>(Milan, 1991)<strong>, Sergio Breviario&nbsp;<\/strong>(Bergamo, 1974)<strong>, Corydon Cowansage&nbsp;<\/strong>(Philadelphia, Pennsylvania, United States, 1985)<strong>, Giulia Dall Olio&nbsp;<\/strong>(Bologna, 1983)<strong>,&nbsp;<\/strong><strong>Leonardo Devito&nbsp;<\/strong>(Florence, 1997)<strong>, Tom Friedman&nbsp;<\/strong>(Louis Park, Minnesota, United States, 1953)<strong>, Alex Katz&nbsp;<\/strong>(Brooklyn, New York, United States, 1927)<strong>, Marco Paleari&nbsp;<\/strong>(Desio, 1998),&nbsp;<strong>Nathlie Provosty<\/strong>&nbsp;(Cincinnati, Ohio, United States, 1981) in dialogue with those of&nbsp;<strong>great masters of the last century<\/strong>&nbsp;such as:&nbsp;<strong>Enrico Baj&nbsp;<\/strong>(Milan, 1924 &#8211; Vergiate, 2003),<strong>&nbsp;Irma Blank&nbsp;<\/strong>(Celle, Germany, 1934 &#8211; Milan, 2023)<strong>, Alberto Burri&nbsp;<\/strong>(Citt\u00e0 di Castello, 1915 &#8211; Nice, France, 1995)<strong>, Domenico Gnoli&nbsp;<\/strong>(Rome, 1933 &#8211; New York, New York, United States, 1970)<strong>, Piero Manzoni&nbsp;<\/strong>(Soncino, 1933 &#8211; Milan, 1963)<strong>, Fausto Melotti&nbsp;<\/strong>(Rovereto, 1901 &#8211; Milan, 1986)<strong>, Mario Merz&nbsp;<\/strong>(Milan, 1925 &#8211; Turin, 2003)<strong>, Michelangelo Pistoletto&nbsp;<\/strong>(Biella, 1933)<strong>, Carol Rama&nbsp;<\/strong>(Turin, 1918 &#8211; Turin, 2015)<strong>, and Emilio Scanavino&nbsp;<\/strong>(Genoa, 1922 &#8211; Milan, 1986), in an exhibition oriented to bring new light to the expressive medium of drawing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The project, entirely conceived and organized by Collezione Ramo, then includes the&nbsp;<strong>major Brazilian exhibition<\/strong>&nbsp;from&nbsp;<strong>Paulo Bruscky<\/strong>&nbsp;&#8216;s archive, which for the first time involves an international curator,&nbsp;<strong>Jacopo Crivelli Visconti,&nbsp;<\/strong>in Milano Drawing Week&nbsp;<strong>; the solo show of Manuel Scano Larraz\u00e0bal, the first one produced by Collezione Ramo for the occasion&nbsp;<\/strong>; and<strong>,&nbsp;<\/strong>as part of the exhibition&nbsp;<em>Alberto Martini e la danza macabra<\/em>, curated and produced by the Gabinetto dei Disegni in the Salette della Grafica of Castello Sforzesco, there will be a focus dedicated to the dialogue between the macabre ink strokes of&nbsp;<strong>Alberto Martini<\/strong>&nbsp;(Oderzo, 1876 &#8211; Milan, 1954) and&nbsp;<strong>Vincenzo Agnetti&nbsp;<\/strong>(Milan, 1926 &#8211; 1980).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A schedule of&nbsp;<strong>collateral events<\/strong>, spread throughout the duration of the event, from Saturday, Nov. 23 to Sunday, Dec. 1, enriches the program by including meetings open to the public with internationally prominent curators and workshops with artists and teachers exploring the infinite potential of the work on paper.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Also returning for the second year is the&nbsp;<strong>Milan<\/strong>&nbsp;Drawing&nbsp;<strong>Week Prize<\/strong>, among the very few awards dedicated to drawing in Italy, awarded to one of the participating contemporary artists. The Prize, supported entirely by<strong>&nbsp;Gruppo Censeo,&nbsp;<\/strong>consists of a cash award of \u20ac3,000 as an incentive for continuity in production on paper. The winner of the previous edition is the artist Umberto Chiodi, with the work&nbsp;<em>Bestiary&nbsp;<\/em>(2023).<br>The jury of architects and designers is composed as follows: Diego Marelli, Chiara Marinoni (Asti Architetti), Alvin Grassi (Alvin Grassi Design Studio Milano), Sonja Vizzini (Vizzini), Michele Vitaloni and Cecilia Candiloro (Charmitaliastudio), Luca Bombassei (Luca Bombassei Studio).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WHAT&#8217;S NEW IN THIS EDITION<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Institutional collaborations<\/em><\/strong><br>While the prestigious collaboration with the&nbsp;<strong>Castello Sforzesco&#8217;s Drawings Cabinet&nbsp;<\/strong>is renewed, which presents the exhibition&nbsp;<em>Alberto Martini: the Macabre Dance<\/em>, in the form of a silent dialogue between the work of&nbsp;<strong>Alberto Martini&nbsp;<\/strong>and that of&nbsp;<strong>Vincenzo Agnetti<\/strong>, the&nbsp;<strong>Cittadella degli Archivi<\/strong>&nbsp;of the&nbsp;<strong>City of Milan<\/strong>&nbsp;and&nbsp;<strong>Casa degli Artisti<\/strong> are participating for the first time in Milano Drawing Week.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The&nbsp;<strong>Cittadella degli Archivi<\/strong>&nbsp;will host the group exhibition&nbsp;<em>Political Attitude. Artists of Latin America from the Paulo Bruscky Archive<\/em>&nbsp;dedicated to<strong>&nbsp;Paulo Bruscky<\/strong>, exhibited in Italy for the first time since its presentation at the Instituto de Arte contemporanea IAC in S\u00e3o Paulo curated by&nbsp;<strong>Jacopo Crivelli Visconti&nbsp;<\/strong>in 2023. The exhibition features works that escaped the censorship of Latin America&#8217;s dictatorships and were collected in the Brazilian artist&#8217;s postal art archive, never before exhibited outside Brazil&#8217;s borders-a European premiere exclusively for Milan Design Week.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The&nbsp;<strong>Artists&#8217; House<\/strong>&nbsp;hosts the exhibition&nbsp;<em>Rampant Paper and Drawing Tool&nbsp;<\/em>by&nbsp;<strong>Manuel Scano Larraz\u00e0bal<\/strong>: a large installation that includes a giant rotating drawing and a machine that draws in real time with suspended markers, produced and curated by Collezione Ramo and made entirely from&nbsp;<strong>Canson&nbsp;<\/strong>and&nbsp;<strong>Lyra<\/strong>&nbsp;products.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The exhibition curated by Irina Zucca Alessandrelli, curator of the Collezione Ramo.<\/em><\/strong><br>Another&nbsp;<strong>new feature of this edition is the exhibition curated by Irina Zucca Alessandrelli<\/strong>&nbsp;at the Settantaventidue space, the new hub on the Navigli that combines sound art, books and architecture to promote new talents who are dedicated to creation on paper. The exhibition presents the work of young emerging artist, not yet represented by a gallery,&nbsp;<strong>Marco Paleari<\/strong>, in dialogue with the work of nuclear art master Enrico Baj.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The new calendar of workshops\r\n<\/em><\/strong><br>Finally, debuting in this edition&nbsp;<strong>is a program of workshops on drawing practice<\/strong>&nbsp;designed to be accessible and engaging to all audiences. The calendar includes workshops with structured activities for adults and children, aimed at the creation of an elaborate work that is different each time and that allows them to experiment with the many techniques that characterize work on paper.<br>The workshops will be held at&nbsp;<strong>Casa degli Artisti&nbsp;<\/strong>with artist&nbsp;<strong>Manuel Scano Larraz\u00e0bal<\/strong>,&nbsp;<strong>Casa Platform<\/strong>&nbsp;with&nbsp;<strong>Martina Zena<\/strong>&nbsp;and at the&nbsp;<strong>Ceramica Sant&#8217;Agostino<\/strong>&nbsp;showroom with&nbsp;<strong>Monika Dattner<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Collezione Ramo presents the fourth edition of Milano Drawing Week, a 13-stage journey dedicated to drawing, including contemporary artists and masters of the last century.For nine days, works on paper take center stage in a series of exhibitions in museums and galleries throughout Milan&#8217;s urban network. The&nbsp;Collezione Ramo, Italian Drawing of the 20th and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[87],"tags":[],"class_list":["post-5272","post","type-post","status-publish","format-standard","hentry","category-press-release-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/posts\/5272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/comments?post=5272"}],"version-history":[{"count":4,"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/posts\/5272\/revisions"}],"predecessor-version":[{"id":5587,"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/posts\/5272\/revisions\/5587"}],"wp:attachment":[{"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/media?parent=5272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/categories?post=5272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milanodrawingweek.com\/en\/wp-json\/wp\/v2\/tags?post=5272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}